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Online from 10:00 am 7 February 2023

Anna Brass, Hot Desque, Ian Dawson, Jemma Egan, Jignesh Panchal, Jos Martin, Karin Ruggaber, Leire Muñoz, Mark Hosking, Mhairi Vari, M Pravat, Ole Hagen, Oona Grimes, Plastique Fantastique, Sachin Tekade, Sarah Kate Wilson, Shivangi Ladha, Srinivas Kuruganti, Ted Le Swer, Vandana Kothari, Xintong Zhang.

 

Curated by Jasone Miranda-Bilbao.​

 

This is the third itineration of a series of exhibitions that started at the Mazecollective Studio Terrace (New Delhi) with 8x4. It glows light (19/11/2021) and 8x4. Two Moons (19/11/2022) co-curated by Jasone Miranda-Bilbao and Ashish Sahoo. It glows light brought to the terrace of the Mazecollective works that ‘glow in the dark’ at a time when the main objective of communication was to keep people at distance. Two moons celebrated the idea of travel and the possibility of gathering again around others, humans and non-humans.

Is the image even human? is an exhibition made up of two parts that operate in conjunction, one half takes place online, the other offline. The artists have all participated in the previous two editions. What we see now is the unfolding of their works and the artist responses to the project and possibilities it offers to them in terms of creativity.

The question Is the image even human? throws up the mind - what’s human about the image? Who else makes images, do they have an autonomous life of their own and can they exist independently from humans? And can we exist independently from them, think imagelessly? do we make images or do they make us? where do they originate and how might we live and think in their absence? The works in the exhibition look at us in a playful manner as if in a house of mirrors where the world seems to be arranged differently.

Jemma Egan, Under Cover. 2023. JPEG. Size 2500 x 1800 pixels
Oona Grimes, Etruscan children #15. 2021-2022. 76 x 220 cm. Collage & coloured pencil on paper [black  Revere Magnani].
Oona Grimes, Etruscan children #16. 2021-2022. 76 x 165 cm. Collage & coloured pencil on paper [black  Revere Magnani].
Jos Martin, Infinite (No.4). 2020. Graphite on paper. 73.7 x 91.5 cm
Jos Martin, Infinite (No.5). 2021. Graphite on paper. 183 x 122 cm
Extract from Ian Dawson’s work Gongshi Assemblage V1.1 2022/3. 2023.
Karin Ruggaber, Brooches #113-120. 2022-2023. Steel and brass wire, vinyl coated aluminium wire, expanded aluminium mesh, polythene, acrylic airtex, nylon rope, clip hook, safety pin. Different dimensions.
Ian Dawson, Gongshi Assemblage V1.1 2022/3. 2023. GIF animations and still images
Ian Dawson, Gongshi Assemblage V1.1 2022/3. 2023. GIF animations and still images
Ian Dawson, Gongshi Assemblage V1.1 2022/3. 2023. GIF animations and still images
dawsongongsh20.gif
Ian Dawson, Gongshi Assemblage V1.1 2022/3. 2023. GIF animations and still images
Ian Dawson, Gongshi Assemblage V1.1 2022/3. 2023. GIF animations and still images
Ian Dawson, Gongshi Assemblage V1.1 2022/3. 2023. GIF animations and still images
Ian Dawson, Gongshi Assemblage V1.1 2022/3. 2023. GIF animations and still images
Ian Dawson, Gongshi Assemblage V1.1 2022/3. 2023. GIF animations and still images
Ian Dawson, Gongshi Assemblage V1.1 2022/3. 2023. GIF animations and still images
Ian Dawson, Gongshi Assemblage V1.1 2022/3. 2023. GIF animations and still images
Ian Dawson, Gongshi Assemblage V1.1 2022/3. 2023. GIF animations and still images
Ian Dawson, Gongshi Assemblage V1.1 2022/3. 2023. GIF animations and still images
Ian Dawson, Gongshi Assemblage V1.1 2022/3. 2023. GIF animations and still images
dawsongongsh22.gif
dawsongongsh11.gif
Ian Dawson, Gongshi Assemblage V1.1 2022/3. 2023. GIF animations and still images
Ian Dawson, Gongshi Assemblage V1.1 2022/3. 2023. GIF animations and still images
Ian Dawson, Gongshi Assemblage V1.1 2022/3. 2023. GIF animations and still images
Ian Dawson, Gongshi Assemblage V1.1 2022/3. 2023. GIF animations and still images
Ian Dawson, Gongshi Assemblage V1.1 2022/3. 2023. GIF animations and still images
Ian Dawson, Gongshi Assemblage V1.1 2022/3. 2023. GIF animations and still images
Ian Dawson, Gongshi Assemblage V1.1 2022/3. 2023. GIF animations and still images
Ian Dawson, Gongshi Assemblage V1.1 2022/3. 2023. GIF animations and still images
Ian Dawson, Gongshi Assemblage V1.1 2022/3. 2023. GIF animations and still images
Ian Dawson, Gongshi Assemblage V1.1 2022/3. 2023. GIF animations and still images
Ian Dawson, Gongshi Assemblage V1.1 2022/3. 2023. GIF animations and still images
Ian Dawson, Gongshi Assemblage V1.1 2022/3. 2023. GIF animations and still images
Ian Dawson, Gongshi Assemblage V1.1 2022/3. 2023. GIF animations and still images
Sachin Tekade, Untitled I. 2022. Fabriano Paper 300 gsm. 40.6 x 40.6 cm
Sachin Tekade, Untitled. 2022. Fabriano Paper 300 gsm. 45.7 x 45.7 cm
Sachin Tekade, Untitled. 2022. Fabriano Paper 300 gsm. 91.5x91.5 cm
M Pravat, Working Progress in my studio. 2018. Digital image. Dimensions unspecified
Etruscan children #5. 2021-2022. 76 x 110 cm. Collage & coloured pencil on paper [black  Revere Magnani].
Etruscan children #11. 2021-2022. 76 x 110 cm. Collage & coloured pencil on paper [black  Revere Magnani].
Etruscan children #9. 2021-2022. 76 x 110 cm. Collage & coloured pencil on paper [black  Revere Magnani].
Anna Brass, Balaclava sleeping. 2023. Drawing overlaid on 35mm photograph. Dimensions variable
Karin Ruggaber, Brooches #113-120. 2022/23. Mixed media.
Leire Muñoz, Studio essays. 2023. Sculpture, photography, drawings and video. Dimensions variable
Leire Muñoz, Studio essays. 2023. Sculpture, photography, drawings and video. Dimensions variable
Leire Muñoz, Studio essays. 2023. Sculpture, photography, drawings and video. Dimensions variable
Jignesh Panchal, Time Phase. 2021. Gouache, watercolour, ink pen on paper. 42 x 30 cm each
Vandana Kothari, Sink. Pray. Silence. 2022. Silkscreens on lace paper. 20 x 20 cm each
Vandana Kothari, Sink. Pray. Funeral procession. I within you. Pleasure. 2022. Silkscreens on lace paper. 20 x 20 cm each
Vandana Kothari, Sink. Pray. Funeral procession. I within you. Pleasure. 2022. Silkscreens on lace paper. 20 x 20 cm each
Sarah Kate Wilson, Hidding Place. 2020. India ink, water-soluble crayon, acrylic paint on paper. A4.
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